Saturday, February 21, 2015

Jean-Leon Gerome / French


....................... Plate Bunmati works and where it appears as in other acts of Bunmati emotion and life in the Middle Arabic, The issue of artistic painting and its units, including the fact that the artist his portrait totally dependent on the atmosphere of the Sahrawi Arab, Valkhiam and desert and rocks and horses, clothes, turbans non slip tape whole vocabulary as well as Arabic and motifs in the painting. Color mostly on the plate is the number of degrees of brown gradient between dark and light, and is distributed in more plaque-like dialogue or Aldialloj, we believe, for example, in the right corner Baali brown plaque with three degrees in the left corner and bottom of the panel is given by three of the brown grades and also the other of the same severity of both brown cloth and that was one tent curtains and other Star body Alemrah.kzlk see brown in the left corner Baali plaque given by Brown Other bottom of the panel also includes the right to park we see that the color covers the four pillars of the plate, and between the Chiefs see the basic configuration of the plate, which consists of two horses and women and here we see the colors vary on a background of a contrasting non slip tape color perfectly with the colors of the painting as a whole we see women whiter than white and has a lock of black hair degree darkening average between chromatic Alhsanan as we see one Alhsanan Msrja Light color is the degree of the medial between the color of the woman and color Amamtha, so it seems the plate in the case of dialogue Looney Atkln color from here once Verde him his counterpart from the other side again, and also see that the motifs of Islamic painted by the artist carefully and proficiency demonstrated the extent of his interest and sponsorship to the rules of decorative art Alasalamahsoa was in curtains or clothing women or Amamtha or tape decorative Ali Alhanb right of the plate Alhsanan in plaque symbolizing the coming from afar, it is certain that Alhsanan one of them said to come from afar, and other women, and are pale understanding in the case of animal longing but it seems in humanitarian non slip tape what holds Mhhdahma of emotions we see in the painting as the women are also waiting for the next and for it from afar also see Trqubhma and are in the nearest case to case of Leary daydream has looked to them and taken away from them a little aside so as not to Ilheanha dream of vigilance and at the same time Alhmanha this dream that you love to live in the airspace non slip tape red color which represents the background non slip tape of the painting is a very strange at the plate, where a distant horizon may inadvertently artist of color to express the dangers of exile in the desert, also in red color possibilities Lunel predispose has the ability to highlight any color The last and next to it is a case of what we observe the emergence of the motherboard components to the outside, and if the color is red for our integrated components with the background, but I see it in the case of separation from the background here, as if a manner designed collage "shear and paste" on a red background ..... ..................... by Dhul-Nun non slip tape al-Misri ................
A rigid code de Aref A. Elly to Vtly my opinion, and not Mafeesh Caumont de Bah means that people Mbakch taste of Fine Arts, and not eh ??? I do not know I'm Kasai Mcnch Lessa discovered important I met her Hhaol violin Abatlk plates Egyptians for young artists and I wish you could fiddle published non slip tape exhibitions Elly Chgalh dates in Egypt Delloukt and I fiddle Hbatlk their greetings to you, a nun Yally Mnorly code your comments :))) December 22, 2007 at 9:58 AM
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Egyptian animated painting I've downloaded from Tani, because I actually met her hidden and very happy communion and glad you of who Avadona to identify some of the artists of Iran such as Morteza Katuzayani and that you have downloaded a total of his works from the net Greetings December 25 people, 2007 at 1:36 PM
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Jean-Leon Gerome / French
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