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Home Electronic Library Egyptology Art and Architecture Department Articles and Journals Civilization Department History Department Language Department Islamic department Architecture Department Art Department Calligraphy Department Civilization Department Coins Department History Department Sources Department Uncategorized Egyptian section ancient egyptain religion ancient Egyptian art anciet History Egyptian architecture Gallery INDEX prehistory section Research the pharaonic Department of Department of Islamic antiquities department Islamist Gallery Photos archival images metal tape visit Dr. Muhammad Hamza murals index Islami Library Arts Islamic Arts pre-Islamic Arts Morocco and Andalus Arts Safavi metal tape Arts Fatimid Mamluk art pottery metals fabric wood chair reciter platforms ceramic glass Iranian arts Umayyad Arts Ayyubid Ottoman Arts Department of English Language Arts writings Arab coins coins Alalikhanyh money Fatimid coins Mamluk money Almohad money Umayyad money Ayyubid money Ikhshidid money Tulunid metal tape Abbasid money money Ottoman importance coins Islamic civilization rules to understand civilization overview of the Islamic civilization overview of civilization foundations of Islamic civilization history Art Alnahjah era of the early Renaissance in Florence era of the early Renaissance in Italy Renaissance Golden model Baroque and Alrcoq date Islamist Muslim battles of the history of Morocco history of Andalusia history of the Fatimid state the date of the Mamluk Empire State History Ayyubid history of the Abbasid state history of the Arab State Islamic Mughal school portray Islam and imaging Mudafari Imaging Timorese imaging Algelaúry imaging Fatimid metal tape era photography Mamluk era photography Umayyad era photography Abbasid era photography Ottoman era Mogul filming filming Safavi Indian Islamic architecture architecture in the era of the Fatimid rulers Architecture Architecture Mamluk architecture Umayyad architecture Ayyubid architecture Abbasid architecture Ottoman architecture Morocco India Building Building Andalus Iran Building Turkish architecture genius metal tape history Historians globetrotter metal tape historical figures geniuses Alatrin restoration of the Faculty of Archaeology Department About the Faculty of Archaeology metal tape exams previous definition to sections Museum Coptic Art Museum of Islamic Art Museum Greco-Roman museums a * b effects and civilization of how research and models have waterfalls simplified terms archaeological guide for visits metal tape years
Ablaq: exchange building blocks construction either stone or brick between the two colors are white, black, sometimes metal tape castanets exchange contracts between the same two colors. Gallery: in religious architecture intended specifically Alhsourh space between Baúktin whether contracts are moving parallel to the qibla wall or perpendicular to the wall or was decades intersecting any moving parallel metal tape and perpendicular to the qibla wall at the same time and in some cases this space be sandwiched between Aúktin wall Mudslinger: is more general and comprehensive called metal tape the exchange of different colors, metal tape including white, black, red and yellow, including whether it is in marble or stone or brick. Mizar: is the ornamental metal tape or biblical tape that wraps the top of the walls or the bottom of the bishop and Aradfh term coping. Baúkh: a row of columns metal tape or pillars topped contracts underlying the ceiling and sometimes the ceiling is based on the pillars and Da'amt without mediation contracts. Iwan: in the language of the home is Almquby is a rectangular or square with three walls of one in the chest and two Janbaan, metal tape either the fourth wall Vmuftouh and oversees the Central area to hold and sometimes flat Authority. In the case of a Iwan one can not be transmitted to another within Ewan Created without the use of Central Jawsag space
The words of some of the columns that carry the top of the minarets, or platforms, whether of stone or wood or marble. It is known that the tops of the platforms (eyeball) often agree with the end of the tops of minarets, metal tape which was built in the era built the trail. Cellar cross: hardly the kind more species publicity in Islamic Architecture general as used in roofing or covered by the number of units and architectural elements major and minor, metal tape such as iwans and Ugah cabins and Vsaqy burial, and knows this type in documents on behalf of the contract sclerosing cellar fan Baratim wood:
One kind of Wooden ceilings longer be a extended wooden blocks between the parties to the ceiling and encapsulate this Baratim metal tape coloring and gilding and limit between spaces recessed rectangular and square which is expressed on behalf of Mrbuat and crocodiles and envelop metal tape is the other Baltolen metal tape and gilding and inscriptions decorative miscellaneous fountain of this term Mudallolin different metal tape from each other First: It is common and is intended to mediate the fountain dishes buildings to mitigate the second air intended burial chambers built in Tjuk ground beneath domes cemeteries
Pomegranates (Babat- apples) intended for the spherical parts above the marble rolls or laptop Baldrabzenat advancing Hgeor entrances or determine aspects of the fixtures above the Vsaqy burial metal tape or balconies minarets battlements, contain a horizontal row of decorative ornaments that are placed next to each other at the end of a thing or edge usually culminate interfaces civil and religious buildings of cost, whether from inside or from the outside and more forms publicity Mamluk taken shape of the leaf vegetable Tricycle or leaf vegetable quintet, metal tape the Ibn Tulun taken collector form brides castanets Mzrrh popularized the use of such keystones metal tape Himna spread metal tape use of stone material, was intended to two purposes: 1. It is the purpose of a purely architectural ease pregnancy and pressure 2. a decorative purpose: by exchanging the colors of these keystones, whether of stone or marble, according to the system Ablaq or unpublicized as well as the presence of many
Home Electronic Library Egyptology Art and Architecture Department Articles and Journals Civilization Department History Department Language Department Islamic department Architecture Department Art Department Calligraphy Department Civilization Department Coins Department History Department Sources Department Uncategorized Egyptian section ancient egyptain religion ancient Egyptian art anciet History Egyptian architecture Gallery INDEX prehistory section Research the pharaonic Department of Department of Islamic antiquities department Islamist Gallery Photos archival images metal tape visit Dr. Muhammad Hamza murals index Islami Library Arts Islamic Arts pre-Islamic Arts Morocco and Andalus Arts Safavi metal tape Arts Fatimid Mamluk art pottery metals fabric wood chair reciter platforms ceramic glass Iranian arts Umayyad Arts Ayyubid Ottoman Arts Department of English Language Arts writings Arab coins coins Alalikhanyh money Fatimid coins Mamluk money Almohad money Umayyad money Ayyubid money Ikhshidid money Tulunid metal tape Abbasid money money Ottoman importance coins Islamic civilization rules to understand civilization overview of the Islamic civilization overview of civilization foundations of Islamic civilization history Art Alnahjah era of the early Renaissance in Florence era of the early Renaissance in Italy Renaissance Golden model Baroque and Alrcoq date Islamist Muslim battles of the history of Morocco history of Andalusia history of the Fatimid state the date of the Mamluk Empire State History Ayyubid history of the Abbasid state history of the Arab State Islamic Mughal school portray Islam and imaging Mudafari Imaging Timorese imaging Algelaúry imaging Fatimid metal tape era photography Mamluk era photography Umayyad era photography Abbasid era photography Ottoman era Mogul filming filming Safavi Indian Islamic architecture architecture in the era of the Fatimid rulers Architecture Architecture Mamluk architecture Umayyad architecture Ayyubid architecture Abbasid architecture Ottoman architecture Morocco India Building Building Andalus Iran Building Turkish architecture genius metal tape history Historians globetrotter metal tape historical figures geniuses Alatrin restoration of the Faculty of Archaeology Department About the Faculty of Archaeology metal tape exams previous definition to sections Museum Coptic Art Museum of Islamic Art Museum Greco-Roman museums a * b effects and civilization of how research and models have waterfalls simplified terms archaeological guide for visits metal tape years
Ablaq: exchange building blocks construction either stone or brick between the two colors are white, black, sometimes metal tape castanets exchange contracts between the same two colors. Gallery: in religious architecture intended specifically Alhsourh space between Baúktin whether contracts are moving parallel to the qibla wall or perpendicular to the wall or was decades intersecting any moving parallel metal tape and perpendicular to the qibla wall at the same time and in some cases this space be sandwiched between Aúktin wall Mudslinger: is more general and comprehensive called metal tape the exchange of different colors, metal tape including white, black, red and yellow, including whether it is in marble or stone or brick. Mizar: is the ornamental metal tape or biblical tape that wraps the top of the walls or the bottom of the bishop and Aradfh term coping. Baúkh: a row of columns metal tape or pillars topped contracts underlying the ceiling and sometimes the ceiling is based on the pillars and Da'amt without mediation contracts. Iwan: in the language of the home is Almquby is a rectangular or square with three walls of one in the chest and two Janbaan, metal tape either the fourth wall Vmuftouh and oversees the Central area to hold and sometimes flat Authority. In the case of a Iwan one can not be transmitted to another within Ewan Created without the use of Central Jawsag space
The words of some of the columns that carry the top of the minarets, or platforms, whether of stone or wood or marble. It is known that the tops of the platforms (eyeball) often agree with the end of the tops of minarets, metal tape which was built in the era built the trail. Cellar cross: hardly the kind more species publicity in Islamic Architecture general as used in roofing or covered by the number of units and architectural elements major and minor, metal tape such as iwans and Ugah cabins and Vsaqy burial, and knows this type in documents on behalf of the contract sclerosing cellar fan Baratim wood:
One kind of Wooden ceilings longer be a extended wooden blocks between the parties to the ceiling and encapsulate this Baratim metal tape coloring and gilding and limit between spaces recessed rectangular and square which is expressed on behalf of Mrbuat and crocodiles and envelop metal tape is the other Baltolen metal tape and gilding and inscriptions decorative miscellaneous fountain of this term Mudallolin different metal tape from each other First: It is common and is intended to mediate the fountain dishes buildings to mitigate the second air intended burial chambers built in Tjuk ground beneath domes cemeteries
Pomegranates (Babat- apples) intended for the spherical parts above the marble rolls or laptop Baldrabzenat advancing Hgeor entrances or determine aspects of the fixtures above the Vsaqy burial metal tape or balconies minarets battlements, contain a horizontal row of decorative ornaments that are placed next to each other at the end of a thing or edge usually culminate interfaces civil and religious buildings of cost, whether from inside or from the outside and more forms publicity Mamluk taken shape of the leaf vegetable Tricycle or leaf vegetable quintet, metal tape the Ibn Tulun taken collector form brides castanets Mzrrh popularized the use of such keystones metal tape Himna spread metal tape use of stone material, was intended to two purposes: 1. It is the purpose of a purely architectural ease pregnancy and pressure 2. a decorative purpose: by exchanging the colors of these keystones, whether of stone or marble, according to the system Ablaq or unpublicized as well as the presence of many
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